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      <image:caption>Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park.</image:caption>
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      <image:caption>Therese Koppe (*1985) in Berlin-Friedrichshain geboren, studierte von 2015 bis 2019 im Master Dokumentarfilm Regie an der Filmuniversität Babelsberg Konrad Wolf. Therese arbeitete in Kunst- und Kulturprojekten im In- und Ausland (u.a. für Rwandan Records im Haus der Kulturen der Welt (2019), der Vierten Welt (seit 2019), für die neue Gesellschaft für bildende Künste (nGbK) im Projekt 77#13 - Politische Kunst im Widerstand in der Türkei, Documentarist - Documentary Days in Istanbul). Ihr erster Kino-Dokumentarfilm Im Stillen laut (2019, 74’) ist ihr Master-Abschlussfilm. Er feierte im Deutschen Wettbewerb der 62. Internationales Leipziger Festival für Dokumentar- und Animationsfilm seine Weltpremiere und erhielt eine lobende Erwähnung des VER.DI Preis für Menschlichkeit, Solidarität und Fairness. Bei der 43. Duisburger Filmwoche gewann Im Stillen laut den Publikumspreis der Rheinischen Post.Für die Entwicklung ihres Debütfilms Haunting Heimat (AT), ein Porträt zweier namibischer Frauen und ihrer Perspektive auf das Erbe deutscher Kolonialherrschaft, erhielt sie 2019 die Grenzgänger Rechercheförderung des Literarischen Colloquiums Berlin und der Robert Bosch Stiftung. Neben ihrer Arbeit als Regisseurin unterrichtet Therese als Dozentin Dokumentarfilm Theorie und Praxis, zuletzt an der London Southbank University (2018-2019). Im Filmbildungsprogramm Cinema en Curs leitet sie als Filmemacherin Dokumentarfilm-Workshops für SchülerInnen in einer Brandenburger Grundschule.</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>"Die Tochter des Shaolin-Meisters" (2023) für das KIKA-Format "Schau in meine Welt". Eine Produktion von KIKA und rbb, produziert von Telekult Film und Medienproduktion GmbH.</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Kampagnenvideo PLACE2BE Berlin I Siegessäule (2021) Regie: Therese Koppe I Bildgestaltung: Julia Geiss I Montage: Evelyn Rack I Sound: Billie Mind</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Kampagnenvideo PLACE2BE Berlin I Siegessäule (2021) Regie: Therese Koppe I Bildgestaltung: Julia Geiss I Montage: Evelyn Rack I Sound: Billie Mind</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Kampagnenvideo PLACE2BE Berlin I Siegessäule (2021) Regie: Therese Koppe I Bildgestaltung: Julia Geiss I Montage: Evelyn Rack I Sound: Billie Mind</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Kampagnenvideo PLACE2BE Berlin I Siegessäule (2021) Regie: Therese Koppe I Bildgestaltung: Julia Geiss I Montage: Evelyn Rack I Sound: Billie Mind</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Videoproduktion für hellerau.live (2021) Musikvideoshow (2x 90 Min.) in Kooperation mit CTM Festival &amp; Musicboard Berlin I Regie/ Montage: Therese Koppe I Bildgestaltung: Julia Geiss</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Responsible Platform Business | Alexander von Humboldt Institut für Internet und Gesellschaft (2021) Platform capitalism is facing a deep spiritual crisis – which could well be the precursor to an economic one as well.</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Trailer für Melissa Steckbauers Performance THE SONANCY OF FALLING AND STANDING REPEATEDLY I Galerie im Turm (2018)</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>social platforms | Kirsten Gollatz | Meet the HIIGsters (2018) HIIG researcher Kirsten Gollatz talks about Facebook, Twitter &amp; Co. - under what conditions do we communicate on the Internet today? How are digital platforms changing our communication? And who makes the rules?</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>HIIG researcher Shirley Ogolla talks about Slack &amp; Co - how are digital platforms changing our workplace? How do they promote participation and collaboration, but also co-determination? The research project "Competing and Complementing" examines how much co-determination is involved in the tools and what the works councils have to say about it.</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Pelagios and Digital Humanities I Rebecca Kahn | Meet the HIIGsters</image:caption>
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      <image:title>Therese Koppe</image:title>
      <image:caption>Kampagnenvideo zu Genderstereotypen in Musikvideos I Jugendliche Vorbilder (2017)</image:caption>
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      <image:title>A Quiet Resistance</image:title>
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      <image:title>A Quiet Resistance</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5399a1f21e17476a4bf573/1610731756166-CX7G926CQKXVETX5FRG8/df_Lorbeeren_43_neg.png</image:loc>
      <image:title>A Quiet Resistance</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f5399a1f21e17476a4bf573/1610731930163-GSI4L52ZMYVW9CN7Y9A7/logo_dokfest_36_b_weiss.png</image:loc>
      <image:title>A Quiet Resistance</image:title>
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      <image:title>Tracing Addai</image:title>
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